What I’m Reading: The Other Black Girl by Zakiya Dalila Harris
What’s on the Spotify Playlist: “I Wanna Dance With Somebody” – Whitney Houston
Since I’ve started this writing journey, the one piece of advice I get the most is “write what you know.” But what does that really mean? Is it referring to occupations? If the writer is an attorney like John Grisham or Pamela Samuels-Young, your character is also an attorney. Or could it be as simple as a situation that your character faces?
In my novel, “Moment of Truth,” Adrienne has a three-year-old son with sickle-cell anemia. His disease requires doctor’s visits and one scary emergency room stay. Now everyone has been to the doctor’s office and the hospital, and I thought I did a decent job describing the scene and emotions. That is until real life intervened.
One night my nephew was rushed to the emergency room. He spent two weeks in ICU and even more time in a regular room. During my frequent visits to the hospital, I found myself taking mental snapshots of sights and sounds. I cataloged smells and noted the presence of machines, and watched hospital personnel. This was the type of thing used to enhance my own story. My personal experience allowed me to transfer it to my character.
But I felt guilty about it. While I was focused on my nephew’s recovery and being a source of comfort to my sister, I was also thinking about my book.
Then I had a conversation with a former editor. When I told her my dilemma, she said, “You are a writer! All of your experiences are fodder for your craft. You should use all of your feelings and experiences to fuel your manuscripts.” Her words resonated with my artist self and confirmed something I knew all along. To create these well-rounded characters and make believable worlds, the artist has to use everything within them.
Write what you know is an adage to explore the world and embrace it to breathe life into a story.